Wednesday, October 12, 2011

Brazilian Girls "Jique " by Tyler Emond

Tyler Emond
  This post is going to be a departure from my usual rock-oriented ones, but I'm quite happy about that. I love all kinds of music and therefore want to explore them here in my blog. For those of you that are rockers or metal-heads, have an open mind and check this one out before you judge it.

  When I studied at Humber College's Jazz Performance program I had the privilege to meet some amazing musicians, and I don't just mean the professors, but also the other students. Most people had their own style of music that they excelled at, but some others just seemed to have a natural talent and ability to play any kind of style, and do it very well. Tyler Emond was one of those guys, he has amazing skills, a wicked ear, he can rip on either the electric or the upright bass, but more importantly he is a genuinely nice guy, always available to help out or give advice. He became my favorite bass player out of the whole group at Humber and I tried to watch him perform, or practice, as much as I could. Tyler has done very well for himself since those college days and I'm quite thrilled that he agreed to be a guest on my blog. So here is my friend Tyler Emond, Playing "Jique" by Brazilian Girls, from their 2006 album Talk to La Bomb:

  This is what Tyler had to say about the song:

  "Brazilian Girls are a really great band out of New York combining electronica, dub-step, punk, soul, rock and lot's of other fun stuff. I first saw them play at a jazz festival for an older crowd where they did not tame down their set, and they closed with a song called "pussy". I've been a fan ever since.

  The bass player is Jesse Murphy (who's also played with John Scofield and Me'Shell Ndgeocello), and he's always got creative things to say on the bass. I'm not using any effects on this but I'm pretty sure Murphy is using an octaver or synth on the verses as well as the keyboard player doubling the line. He's playing a Fender Mustang.

  There are two main parts of the bass line. There's the synthy intro/verse part, and the funkier James Jamerson-ish chorus line. I found the verse part needed emphasis on the upbeats to make it pop and push forward. The chorus on the other hand, is a little more laid back in terms of tone and touch. This helps when playing all the fills at the end so they're not too "in your face".


  Highly sought after bassist, Tyler Emond, has quickly become a first call player in the Canadian music scene. Known for being adept on both acoustic and electric instruments, he has tackled a wide range of genres and situations.

  Born in Ottawa, Tyler came from a family of musicians and was taught electric bass by his father. Continuing his music education he attended Humber College in Toronto to focus on double bass. In 2007 he graduated at the top of his class, receiving the Oscar Peterson Prize for excellence.

  Since then he has recorded and/or toured throughout Europe, the United States, Canada, and Central America with artists such as Matt Dusk, Mr. Something Something, Nick 'brownman' Ali, KC Roberts and the Live Revolution, Mr.Marblesz, Ruth Cassie, Jessica Stuart, Del Dako, Adrean Farrugia, Sundar Vishwandi, Al Kay, Alex Dean, Dave Restivo, Jaron Freeman-Fox, and Larra Skye. Notable international artists he has played with include Randy Brecker, Dead Prez, Aaron Staebell, Dave Liebman, Steve Gadd, Dave Douglas, and Bryan Vargas.

  He currently divides his time between Toronto and Vancouver composing works for his own projects.

  Visit him at

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