Nocturnal Rites - Still Alive

I'm back!

It has been a really long time since I added anything to my blog, and I apologize for that; I just have not been too inspired to write. I have had no problems learning new material on the bass, and in fact I have a few videos already made, but when I sit and try to do this written part I just stare at the white screen, the vertical cursor line blinking on and off.

Well that all changed after this weekend. I just came back from playing the Loud Festival in Sofia Bulgaria with Slayer, WASP, Symphony X, and other awesome metal bands. I had an amazing time, both on and off the stage, I can't wait to get back to Bulgaria (hopefully it won't be too long). The great experience from the trip totally inspired me to get back into writing great things about the music that drives me, and to re-start my blogs what better song than Nocturnal Rites' "Still Alive" from their 2005 album Grand Illusion.

I heard this band for the first time in 2008 when a fan of Warmachine's posted a message on our GarageBand.com site saying that our music reminded him of Nocturnal Rites. Having never heard of them I proceeded to find their website and listen to a couple of their songs. I was hooked instantly. Their modern era with vocalist Jonny Lindqvist is full of very catchy songs, killer guitar riffs, and phenomenal vocal performances, as well as solos by Nils Norberg who soon became one of my favorite lead guitar players. "Still Alive" has all of these typical Nocturnal Rites elements.

Nils Eriksson's plays a bass part that is not intrusive, and yet it complements the guitars while accenting certain riffs such as in the verse at 0:50.  I played the song on my 5-string bass, tuned down a half step (Bb-Eb-Ab-Db-Gb) The solo section I had to play up an octave at 2:47 because my low B string is too floppy in this tuning for it to sound like its supposed to.

Jonny's vocals remind me so much of Dio at times, very powerful and with a lot of grit. The guitar solo is great also, Nils builds it up with his different scalar runs but contrasts them by playing slower melodies with bends as well. And he manages to incorporate a little bit of wah effect and some whammy bar at the end. Really tasty.

For me this is a great example of what makes Power Metal so appealing, it pumps me up, it makes me want to raise my fist in the air and sing, and if the situation presented itself this would be a perfect soundtrack to go into battle with. It sounds cheesy, but I know a lot of you know what I'm talking about. Even though Nils Norberg is not in the band anymore, I am still very much looking forward to the next Nocturnal Rites album, and I've heard rumors that it will be coming sometime this year.  

It's good to be back writing for this. Stay tuned for more real soon!

Nickelback - Bottom's Up

  I know this post might surprise some of you, considering that most of you know me as a "metal-head", but that's part of the reason why I've chosen to talk about Nickelback here. I want to explore the reasons why we all love or hate a particular band, or song, or style of music. Of course most of the reasons are completely subjective, a matter of personal taste, but lets talk about the specifics of why a song or a band or a singer may makes us cringe or give us goose bumps.

 We all have those bands that we can't stand, and others that we adore but our friends can't understand why. For me some of the bands I cannot listen to are The Tragically Hip, or Coldplay. On the other side, I like Paramore, Jimmy Eat World, and Nocturnal Rites, all bands that most of my friends don't like and can't figure out why I would.

 I find that what makes me like or dislike a song or band may change, for example I don't like Coldplay because I find their sound very depressing, and generally I don't like to listen to music that brings me down. However, I love Billy Holiday, and she is a "blue" as it gets. Maybe its my fascination with her tone of voice and her way of phrasing her parts that attracts me to her music. So its difficult for me to pinpoint what exactly makes me decide if I like something or not. Sometimes I may like a band's music but not their singer, and at times its ok and I can still put up with listening to their songs while ignoring the singing, but other times its bad enough that I cannot listen to them at all.

 With Nickelback there is the opinion that they are just one more of a mass-produced group of bands that just put out songs in a very formulaic way, with the sole purpose of getting more radio play and as many listeners as possible. I call it the "junk food" of music, everyone eats it up but its not very good for you. Although listening to the radio has never been bad for your health, and there are good songs on the radio. This "Bottoms Up" is a good example, I kind of like the song, its got a very catchy tune, aggressive guitars and drums, a ripping guitar solo, some great vocal harmonies, and it makes for a good party song. Its a good "snack" for your ears; I wouldn't put it on my iPod and listen to it all the time, but i wouldn't change it if it came up on the radio. Does that make me a Nickelback fan? not at all, everything else that I have listened to by them has not been of my taste, but I have to admit that probably part of my reasons for not liking them are simply that everyone else in the world does, and I like to fool myself and think I'm "different" from everyone else. So I tried this, I listened to the song without thinking who was playing it. If I had never heard of Nickelback, and I was hearing this song for the first time, would i like it? and the answer was yes, its a cool tune. A song is either good or bad, regardless of who's playing it. For me anyways. I'm still going to put on my Mars Volta and Mahavishnu Orchestra CDs.

 What do you guys think? what makes you hate, or love, Nickelback? or any other band for that matter.

http://www.youtube.com/watch?v=ZHH7wpYT1tA

Meshuggah's "Straws Pulled at Random" by Maurizio Villeato

  
Ok so here we go with another guest post. This time its my good friend Maurizio Villeato, all the way from Italy!

  I met Maurizio last fall when I was out on tour with Annihilator. He is the bass player of Adimiron, a progressive metal band from Italy, and they were opening for us for the first couple of weeks of the tour. We all became friends very quickly since they are all very nice people; they are very funny and light-hearted guys, although you can't tell when they're onstage, at that point they're all business and they kick some serious ass. Maurizio impressed me very quickly because he is very versatile in his playing, he can use his fingers, pick, and slap, and he does it all very well and in great context within the band and whatever song he's playing. Here he is playing a song by what I'm sure is one of his favorite bands. This is Messhugah's "Straws Pulled at Random":

 
  Maurizio had this to say about this song:

  "Why did I choose Meshuggah? Very simple, at the moment it is my favorite band. I really love their sound, their way to conceive music, the melodic and rhythmic structures of the songs. Specially this song I think contains the most important Meshuggah elements: catchy intro and verses, powerful chorus and bridge, a beautiful solo, and a simple but circular outro. Don’t forget the tuning! I tuned the bass half a tone up, in F, and I have to say that this little change, if added to a good distortion, gives a unique and violent sound to the bass, which makes it the leading instrument of the song, and of the band. Whoever has seen Meshuggah live in concert knows what I mean; I understood it when we played with them in Turin, Italy.

  "This is the live version, which is the same as the studio record, but just a bit faster, and more violent. This band gives no space for improvisation during live shows, so I tried to be the most faithful as possible, Hope you like the performance!

  "I just wanna thank you guys for watching my video, and my friend Al who gave me the opportunity to play for you from the other side of the ocean, thank you very much brother!

  "Bye guys, see you on the road. Respect!"

  Maurizio Villeato was born in Rome, Italy in 1989. At the age of 14 he started to play bass after watching Steve Harris on TV. He has always listened metal and rock music in his life, and has played all metal genres, from death to power, from classic to thrash. But when he joined ADIMIRON in 2007 he found his real dimension. He recorded “When Reality Wakes Up” in 2008 and “ K 2 “ in 2011 , having the honor to tour around Europe with some metal legends such as Annihilator and Death Angel, and open for  Sepultura and Meshuggah in Italy. Since 2009 he has also been studying Double Bass in The Academy of Classical Music, to play and understand music in all its forms.

Don’t forget to check out ADIMIRON on the net

http://www.adimiron.org/

http://www.facebook.com/adimironofficial

http://www.youtube.com/user/adimironcrew

  Thanks again for checking this out! Don't forget to leave your comments. 




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